1. Can you tell us about the history and cultural significance of the Tyler Print Institute in Singapore?
The Tyler Print Institute (TPI) was founded in Singapore in 2012 by American Master Printer Kenneth Tyler. TPI is the first international print center established by the renowned Gemini G.E.L. workshop in Los Angeles, which has been instrumental in advancing the art of printmaking since its establishment in 1966.
The cultural significance of TPI lies in its mission to promote and preserve the art of printing and facilitate collaborations between local and international artists. The institute’s name is a tribute to Ken Tyler, who is recognized as one of the most influential printmakers of our time. Tyler has worked closely with celebrated artists such as Robert Rauschenberg, Frank Stella, Helen Frankenthaler, and David Hockney, among others.
TPI’s establishment in Singapore has helped raise the profile of printmaking as a medium of artistic expression and provided a platform for local artists to gain exposure on an international level. It also serves as an educational resource for emerging artists seeking to learn advanced techniques in printmaking.
Apart from promoting the art form, TPI also dedicates itself to preserving it through archival methods and processes. This commitment to conservation ensures that prints produced at TPI meet museum standards and can be enjoyed by future generations.
The location of TPI in Singapore is significant as well. The country’s vibrant arts scene has catapulted it onto the global stage, making it a hub for artistic activities and collaborations. In this context, TPI acts as a bridge linking Asian and Western cultures through the medium of printmaking.
Overall, TPI’s history and cultural significance lie in its dedication to furthering the art of printing globally while simultaneously promoting regional talents.
2. How did the institute come to be established in Singapore?
The Singapore Institute of Technology (SIT) was established in 2009 as a collaboration between the Singapore government and a group of overseas universities. The government recognized the need for more locally-trained professionals in various industries to meet the demands of a rapidly growing economy. Therefore, SIT was established to provide opportunities for students to pursue undergraduate and postgraduate programs that are tailored to industry needs.
Initially, SIT offered degree programs in partnership with reputable overseas universities such as DigiPen Institute of Technology (USA) and University of Glasgow (UK). This allowed SIT to leverage on the expertise and experience of these universities in designing industry-focused curriculum.
In 2014, SIT became Singapore’s fifth autonomous university, giving it more flexibility in curriculum design and academic processes. This also enabled SIT to offer its own degree programs independently.
Today, SIT continues to collaborate with renowned overseas universities while also developing its own specialty areas and research initiatives. It has also partnered with local institutions such as polytechnics and private schools to offer more diverse education pathways for students.
3. What is the main purpose or focus of the Tyler Print Institute?
The main purpose of the Tyler Print Institute is to provide resources and support for artists to create original prints using traditional printmaking techniques. They also aim to promote the appreciation and accessibility of printmaking as an art form through exhibitions, education programs, and publications.
4. What makes the institute unique compared to other art institutions in Singapore?
Unlike other art institutions in Singapore, 92Y Performance Opportunities offers a diverse range of performance opportunities for all ages and skill levels. We also prioritize collaboration and community-building, providing a supportive environment for artists to develop and showcase their work. Our focus on multidisciplinary performance and our partnerships with local arts organizations further differentiate us from other art institutions in the country. Additionally, our location in the vibrant Robertson Quay neighborhood allows us to connect with both local and international audiences, creating a dynamic cultural exchange.
5. Can you describe the type of exhibitions and events that take place at the institute?
The institute hosts a variety of exhibitions and events throughout the year, including:
1. Art exhibitions: The institute is known for showcasing contemporary art from both emerging and established artists. These exhibitions feature a range of mediums such as painting, sculpture, photography, and multimedia installations.
2. Cultural showcases: The institute also hosts exhibitions that focus on different cultures and traditions from around the world. These showcases include artwork, performances, and interactive displays to educate visitors about different cultural practices.
3. Panel discussions and lectures: The institute frequently organizes panel discussions and lectures on various topics related to art, culture, and social issues. These events invite scholars, artists, activists, and other experts to share their insights with the audience.
4. Workshops and classes: The institute offers a range of workshops and classes for people of all ages to learn new skills or improve their artistic abilities. These may include drawing classes, photography workshops, printmaking sessions, etc.
5. Film screenings: The institute regularly organizes film screenings that explore different themes related to art and culture. These screenings may also include Q&A sessions with filmmakers or experts in the field.
6. Performances: The institute occasionally hosts live performances by musicians, dancers, theater groups or other artists as part of its events program.
7. Collaborative projects: The institute often partners with other organizations or institutions to host collaborative projects that promote cultural exchange and dialogue between different communities.
8. Special events: Throughout the year, the institute hosts special events such as art fairs, charity auctions, fundraising galas, holiday celebrations etc., which attract a diverse audience from various backgrounds.
Overall, the exhibitions and events at the institute aim to promote creativity, diversity and critical thinking among visitors while providing a platform for emerging artists to showcase their work.
6. How does the institute support and promote local artists and their work?
The institute supports and promotes local artists in several ways, including:
1. Providing resources and facilities: The institute provides access to art studios, workshops, equipment, and materials for local artists to create their work.
2. Organizing exhibitions and events: The institute regularly organizes exhibitions, fairs, and other events to showcase the work of local artists to the wider community. This not only gives exposure to the artists but also provides an opportunity for them to sell their work.
3. Offering grants and residencies: The institute offers grants and residencies for local artists to develop their skills, create new work or collaborate with other artists.
4. Collaborating with art organizations: The institute collaborates with other local art organizations to promote the work of emerging and established artists.
5. Supporting art education: The institute provides art education programs for children and adults, which not only helps in fostering creativity but also promotes the work of local artists.
6. Encouraging community participation: The institute encourages community involvement in various art projects and initiatives, providing opportunities for locals to engage with and support local artists.
7. Online presence: The institute maintains an online presence through social media platforms, where it showcases the work of local artists, promotes upcoming events, and facilitates direct interaction between artists and their audience.
Overall, by providing resources, opportunities, and platforms for showcasing their work, the institute actively supports and promotes the growth of the local art scene.
7. Is there a specific style or medium of art that dominates at the Tyler Print Institute?
The Tyler Print Institute primarily focuses on printmaking as its medium, with a focus on intaglio and lithography techniques. In terms of style, the institute is known for showcasing a diverse range of artists and styles, from traditional to contemporary, figurative to abstract. There is no one dominant style at the Tyler Print Institute, but rather a strong emphasis on collaboration and innovation in the printmaking process.
8. Are there any notable artists who have been featured or collaborated with the institute?
The Royal Institute of British Architects has collaborated with and featured work from many notable artists, including:1. Antony Gormley – the renowned British sculptor known for his installations that explore the human form and its relationship with space.
2. Rachel Whiteread – an English artist known for her sculptures, including “House” which gained her international recognition and won her the Turner Prize in 1993.
3. Ai Weiwei – a Chinese contemporary artist whose work often explores political and social issues in China.
4. Anish Kapoor – a British-Indian sculptor known for his large-scale works that play with materiality, space, and perception.
5. Yinka Shonibare – a Nigerian-British artist whose work explores themes of colonialism, identity, and globalization using different mediums such as sculpture, painting, and installation.
6. Grayson Perry – a British ceramicist, painter, and crossdresser known for his humorous and satirical commentary on contemporary society and culture.
7. Cornelia Parker – an English visual artist who works with found objects to create installations that often have political or cultural themes.
8. Jeremy Deller – an English conceptual artist known for his diverse range of projects that involve collaborations with people from different backgrounds and communities.
9. Heatherwick Studio – an architecture firm led by Thomas Heatherwick, known for their innovative designs such as the Rolling Bridge in London and the Vessel in New York City’s Hudson Yards development.
10. Julie Mehretu – an Ethiopian-American abstract painter known for her large-scale canvases that combine elements of architecture, landscape, mapping systems, and abstraction to explore issues of history, power, migration, and displacement.
9. How have international artists been involved with the institute’s programs and initiatives?
There are several ways in which international artists have been involved with the institute’s programs and initiatives:
1. Artist residencies: The institute offers artist residency programs where international artists can come and work on their projects for a certain period of time. This allows them to interact with local artists, exchange ideas, and explore different artistic perspectives.
2. Workshops and Masterclasses: The institute regularly invites renowned international artists to conduct workshops and masterclasses for students and emerging artists. This provides an opportunity for participants to learn from these experienced artists, gain new skills and techniques, and expand their artistic knowledge.
3. Exhibition Programs: The institute has collaborated with international galleries and art institutions to organize exhibitions of works by international artists, giving them exposure to a wider audience. These exhibitions also serve as a cultural exchange platform, promoting cross-cultural understanding through art.
4. International Conferences: The institute hosts annual conferences that bring together scholars, curators, and contemporary artists from around the world. These conferences provide a platform for international artists to share their research, ideas, and creative practices.
5. Collaborative Projects: The institute has initiated numerous collaborative projects with international organizations and institutions that promote cultural exchange between artists from different countries. These projects often involve joint exhibitions, performances or workshops.
6. Online Programs: With the rise of digital platforms, the institute has expanded its reach by offering online programs that are accessible globally. This has allowed international artists to participate in virtual exhibitions or attend webinars organized by the institute.
7. Artist Talks: The institute regularly organizes artist talks where international artists are invited to share their experiences and insights on various topics related to contemporary art. These talks provide a valuable opportunity for attendees to engage with these artists directly and gain a deeper understanding of their practice.
Overall, the involvement of international artists in the institute’s programs and initiatives has enriched its curriculum, promoted intercultural dialogue, and fostered global connections within the art world.
10.Can visitors participate in any workshops or classes at the Tyler Print Institute?
Yes, visitors can participate in workshops and classes at the Tyler Print Institute. The institute offers a range of programming for all levels, from beginners to experienced printmakers. Interested visitors can check the institute’s website or contact them directly for more information on specific workshops and classes offered.
11.How does the Tyler Print Institute contribute to preserving and promoting traditional printmaking techniques in Singapore?
The Tyler Print Institute (TPI) contributes to preserving and promoting traditional printmaking techniques in Singapore through various ways, including:
1. Collaboration with local and international artists: TPI collaborates with established and emerging artists from Singapore and around the world, providing them with the opportunity to learn and practice traditional printmaking techniques.
2. Residency programs: TPI offers residency programs for both local and international artists, providing them with access to its facilities and resources to develop their skills in traditional printmaking.
3. Workshops and education programs: TPI organizes workshops and educational programs for artists, students, educators, and the general public to learn about traditional printmaking techniques and their historical significance.
4. Exhibitions: TPI regularly holds exhibitions featuring works created using traditional printmaking techniques, showcasing the beauty and diversity of these techniques to a wider audience.
5. Networking and knowledge sharing: TPI provides a platform for artists, educators, collectors, and enthusiasts of traditional printmaking to network, exchange ideas, and share knowledge about this art form.
6. Archiving of artworks: TPI preserves important prints created using traditional techniques by archiving them in its collection. This helps to safeguard these artworks for future generations to appreciate.
Overall, TPI’s efforts contribute significantly to raising awareness about traditional printmaking techniques in Singapore, as well as maintaining their relevance in today’s rapidly changing art landscape.
12.What role does technology play in the institute’s approach to printmaking?
Technology plays a significant role in the institute’s approach to printmaking. The use of digital tools and software has expanded the possibilities of printmaking, allowing for new techniques and processes to be incorporated into traditional printmaking methods.The institute may use digital imaging software to manipulate images before transferring them onto a printing plate or utilize laser cutting technology to create intricate designs on printing blocks. They may also use high-quality scanners and printers for reproducing original prints, resulting in higher quality prints with greater color fidelity.
Furthermore, technology allows for easier collaboration between artists and printers as files can easily be shared and edited digitally. This allows for greater experimentation and innovation in the printmaking process.
Overall, technology has enhanced the efficiency, precision, and creativity of printmaking at the institute, while still maintaining the core principles and techniques of traditional printmaking.
13.Are there any upcoming projects or exhibitions we should look out for at the Tyler Print Institute?
Yes, there are several upcoming projects and exhibitions at the Tyler Print Institute that you should look out for:
1. “The Contemporary Eye: Selections from the Jeanne Thayer Collection” (October 18, 2019 – February 15, 2020): This exhibition features a selection of prints collected by philanthropist Jeanne Thayer.
2. “Museum Studies II: Variations in Line and Color” (November 22, 2019 – January 11, 2020): This group exhibition presents works by students from SMU’s Meadows School of the Arts, exploring the possibilities of printmaking.
3. “Afruz Amighi: Silence of Certainty” (January 24 – April 18, 2020): This solo exhibition by artist Afruz Amighi features print-based installations exploring themes of power structures and societal norms.
4. “Master Printer Series: John Berggruen Editions” (March 27 – June 6, 2020): This exhibit showcases limited edition prints produced in collaboration with master printer John Berggruen and artists such as Sam Francis and David Hockney.
Be sure to check the Tyler Print Institute’s website or social media pages for more information on these and other upcoming projects and exhibitions.
14.Does the institute host public events or gatherings to engage with local communities?
This is a difficult question to answer definitively as it depends on the specific institute in question. However, many institutes do participate in public events or host their own events to engage with local communities. This can include lectures, workshops, panel discussions, open houses, and community service projects. These events are often aimed at sharing information about the institute’s research and initiatives and providing opportunities for community members to learn more about relevant topics and get involved.
Some examples of these types of events include science fairs or festivals where institutes showcase their research to the public, open house days where community members can tour facilities and see ongoing projects, and lectures that are open to the public on a variety of topics. Many institutes also partner with local organizations or businesses to co-host events that benefit the community and raise awareness about important issues.
In addition, institutes may also organize volunteer opportunities for staff members to get involved in local communities. This can include activities such as charity drives, beach cleanups, or working with schools or youth organizations.
Overall, while not all institutes may have regular public engagement events or programs in place, many do make efforts to connect with their local communities through various means. It is best to research specific institute websites or contact them directly for more information on their involvement in community outreach.
15.How has public reception been towards the Tyler Print Institute since its establishment in Singapore?
Public reception towards the Tyler Print Institute (TPI) in Singapore has generally been positive since its establishment in 2012. The institute, which is a collaboration between the Singapore Tyler Print Institute and the National Gallery Singapore, has attracted a wide audience of art enthusiasts, collectors, students and the general public.
The TPI has been praised for its high-quality exhibitions and printmaking workshops, which showcase works by both local and international artists. The institute has also gained recognition for its efforts in promoting printmaking as an art form and raising awareness about traditional printing techniques.
Overall, the TPI has received positive reviews from critics and visitors alike, with many appreciating its commitment to preserving and promoting printmaking in Singapore. The institute’s exhibitions have also drawn large crowds and received favorable media coverage, further increasing its visibility and reputation among the public.
16.How has cultural exchange between Singaporean and international artists through the institute impacted local art scene?
The cultural exchange between Singaporean and international artists through the institute has had a significant impact on the local art scene in several ways:
1. Exposure to new perspectives: By bringing in international artists, the institute provides an opportunity for local artists and the general public to be exposed to different styles, techniques, and viewpoints. This exposure can spark new ideas and inspirations for local artists and expand their understanding of different cultures.
2. Collaboration opportunities: The institute often organizes collaborative projects between local and international artists, creating a platform for cultural exchange and artistic collaborations. This allows for the blending of ideas and techniques from different cultures, resulting in unique and innovative artworks.
3. Diversity in art forms: The institute showcases a diverse range of art forms through its international artist-in-residence program, workshops, exhibitions, and performances. This variety adds depth and richness to the local art scene and exposes audiences to new forms of art they may not have previously encountered.
4. Cultural diplomacy: The exchange between Singaporean and international artists promotes cultural diplomacy by fostering understanding, respect, and appreciation for each other’s cultures. It also helps build relationships between individuals from different countries through shared experiences in the creative process.
5. International recognition: Through collaborations with renowned international artists, the institute helps raise the profile of Singaporean artists on a global scale. This exposure can lead to increased recognition and opportunities for local artists to showcase their work internationally.
6. Inspiration for younger generations: The presence of international artists at the institute can inspire young Singaporeans to pursue careers in the arts or explore new areas within their own artistic practices. These interactions can serve as role models for aspiring young artists who want to make an impact globally.
In summary, the cultural exchange facilitated by the institute has had a positive effect on the local art scene by promoting diversity, collaboration, networking opportunities, and inspiring future generations of artists in Singapore.
17.Can you share any interesting stories or experiences related to working at / visiting the Tyler Print Institute?
I haven’t personally visited the Tyler Print Institute, but I’ve heard many interesting stories from artists who have had the opportunity to work there. One artist I know was invited to participate in a residency program at TPI and had the chance to collaborate with master printers to create a series of lithographs. She said it was a completely immersive experience, with access to state-of-the-art equipment and a team of highly skilled technicians who were dedicated to bringing her vision to life. She also mentioned how inspiring it was to be surrounded by other talented artists and see their works in progress. The result of her time at TPI was a stunning series of prints that she never would have been able to produce on her own.
Another story I heard was about an artist visiting for a demonstration event at TPI. He had never worked with printmaking before, but he was fascinated by the process and wanted to try it out. The master printers at TPI let him experiment with different techniques and guided him through the entire process, allowing him to create his own unique print right there in the studio. He was so thrilled with the experience that he ended up incorporating printmaking into his regular practice and has since collaborated with TPI on multiple projects.
These are just a couple of examples of how TPI provides not only world-class facilities and expertise, but also brings together artists from diverse backgrounds for creative collaboration and exploration. It’s truly a special place for anyone interested in printmaking, whether as an artist or simply as an admirer of this art form.
18.What are some challenges faced by the Tyler Print Institute, if any, in promoting cultural exploration around Singapore’s art scene?
1. Limited government support: The Tyler Print Institute may face challenges in promoting cultural exploration if there is limited support from the government in terms of funding and resources. This can hinder their ability to organize exhibitions, workshops, and events that showcase Singapore’s art scene.
2. Competition with other art institutions: Singapore has a vibrant arts scene with many museums, galleries, and art organizations competing for attention and visitors. The Tyler Print Institute may struggle to stand out and differentiate themselves from others.
3. Diversifying audience: One of the challenges faced by the Tyler Print Institute could be attracting a diverse audience for their exhibitions and programs. They may need to work towards reaching out to different communities in Singapore to ensure their efforts are inclusive and representative.
4. Limited access to international artists: As an institute dedicated to promoting printmaking, the Tyler Print Institute may have limited access to internationally renowned artists due to logistical challenges or budget constraints. This could limit their ability to showcase a diverse range of artworks.
5. Affordability of artwork: The affordability of artwork might also be a challenge as many people in Singapore may perceive art as expensive and inaccessible. This could discourage potential visitors from attending exhibitions or purchasing artworks.
6. Cultural diversity sensitivity: As Singapore is a multicultural country, the Tyler Print Institute might face challenges in navigating sensitivities related to showcasing culturally diverse artworks and themes. They will need to navigate this space carefully while ensuring inclusivity.
7. Limited exposure in mainstream media: The arts scene in Singapore does not always receive prominent coverage in mainstream media, making it challenging for the Tyler Print Institute to reach a wider audience beyond its existing circle.
8. Adapting to evolving trends: Another challenge faced by the institute could be keeping up with evolving trends in the art world and catering to changing preferences of audiences while staying true to its mission of promoting printmaking.
9. Managing finances effectively: As a non-profit organization, financial management can be a constant challenge for the Tyler Print Institute. They may need to carefully balance their budgets and prioritize which events and programs to invest in, given limited resources.
10. Covid-19 impact: The ongoing Covid-19 pandemic has had a significant impact on the arts and culture sector, with limited physical gatherings and events. This could pose challenges for the institute in organizing exhibitions and engaging with art enthusiasts in person.
19.What future plans does the Tyler Print Insitute have for expanding its reach within Southeast Asia?
The Tyler Print Institute is constantly exploring opportunities to expand its reach throughout Southeast Asia. Some of our future plans include:
1. Collaborating with local art institutions and galleries in different countries within Southeast Asia to showcase our collection and promote cross-cultural artistic exchanges.
2. Hosting exhibitions and events in major cities within Southeast Asia, such as Bangkok, Jakarta, and Manila.
3. Establishing partnerships with academic institutions in Southeast Asia to offer educational programs on printmaking, as well as opportunities for local artists to learn from our international artists-in-residence.
4. Developing online platforms and resources that provide easier access to our collection and information about printmaking techniques for students, artists, and art enthusiasts across Southeast Asia.
5. Organizing artist residencies and workshops in collaboration with local cultural centers to support emerging artists in the region.
6. Expanding our presence on social media to connect with a wider audience in Southeast Asia and share updates on upcoming events and exhibitions.
7. Offering consultations for art businesses, collectors, and investors interested in acquiring prints from Southeast Asian artists as part of our commitment to promoting regional talent.
Through these initiatives, the Tyler Print Institute aims to establish a strong presence within the region and continue its mission of promoting the appreciation and understanding of printmaking as an important medium of contemporary art in Southeast Asia.
20.Where do you see both, The Tyler Print Insitute and contemporary art scene of Singapore heading towards in coming years?
The Tyler Print Institute has established itself as a leader in printmaking and contemporary art in Singapore, with its high-quality exhibitions, collaborations, and educational programs. In the coming years, I see TPI continuing to grow and expand its influence globally by attracting more renowned artists to collaborate and exhibit at their space.
In terms of the contemporary art scene in Singapore, I believe it will continue to thrive and gain international recognition. With the government’s support through initiatives like the National Gallery Singapore and ArtScience Museum, there will be more opportunities for emerging artists to showcase their work. Additionally, there is a growing interest in Southeast Asian art, which will further elevate the visibility of Singaporean artists.
I also see a trend towards interdisciplinary and multimedia collaborations within the local art scene, as well as a greater focus on socially engaged art that addresses current issues and challenges faced by society.
Overall, I am optimistic about the future of both The Tyler Print Institute and the contemporary art scene in Singapore. As long as there is continued support from various stakeholders and a vibrant community of artists pushing boundaries, we can expect to see exciting developments in the years to come.